Minggu, 16 Juni 2013

Classroom Management



Control Technique
            Classroom teachers have a duty to develop their own approach to classroom management and discipline. There are several control techniques that used by effective classroom managers to manage the classroom.

Setting Limits
            Students need limits / rules, in order to know what is expected of them and why. Teachers who try to avoid setting limits and imposing necessary structure will find chaos results, especially when dealing with younger children. In establishment of rules, clarity and consistency are vital. You should why certain rules are needed or, even better, involve students in a discussion about why certain rules are necessary. Your rules should always reinforce the basic idea that students are in school to study and learn. Examples of appropriate general classroom rules include :
  1. Be polite and respectful.
  2. Take care of your classroom.
  3. Don’t hit, shove, hurt others.
  4. Follow directions.
  5. Obtain permission before speaking / leaving your seat.
  6. Be prepared with books, paper, pencil, etc when you come to class.

Your rules should always be discussed with students. Specific behaviors  that are included and excluded in each general rule should be explained and discussed. Besides the rules, you have to consider what to do when a student breaks a rule. For many classroom infractions, a logical consequence is to have the students correct the mistakes. Once you have determined the rules for your classroom and the consequences for breaking the rules, you have taken the first step toward having a well-managed classroom.  




Getting Started
      The first few weeks of the school year are prime importance with regard to management. During the first few weeks, we can predict how you will manage your classroom and the extent of student engagement in learning tasks. To be an effective manager, you should :
-               Develop and establish an efficient organizational system and supporting classroom procedures.
-               Establish a positive classroom environment.
-               Establish rules and consequences.
-               Plan well and make your content meaningful to the students.
-               Communicate your expectations to your students.
-               Establish an atmosphere of free exchange.
-               Invite students’ cooperation.
-               Develop self-discipline by having students analyze their own behavior.
-               Be firm, organized, and consistent in your expectations of students.

Ripple Effect
      Publicly a student is corrected or punished for misbehaving, the impact is felt not only by the student but also by other students in the class. This is called the Ripple Effect. When a student tests your enforcement of the rules, you cannot ignore it. If you do, the fact that the student got away with something “ripples out” to other students and encourages them to test you.
      Care must be taken in correcting students. You should use care in correcting student behavior in front of the class. In addition, address the problem behavior itself rather than ridiculing the student. Be direct, fair, open, and respectful with students when correcting their behavior.

Criticism
      Avoid criticism, it just provokes hostility. The effect is the student may blow up and say something unintentional or may even give up trying. If your criticism in the form of suggestion, students will react more favorably.
Rewards
      All behavior must have some kind of payoff (reward, reinforcer, etc). For some students the payoff is intrinsic, the inner satisfaction of doing well or doing the right thing. However, some students need extrinsic rewards for behaving properly.
Problems with rewards
It is common to assume that rewards have a positive effect on children. But is it true? In the short-term, rewards can be effective in getting the children to do what we want, but they can have serious negative long-term effects.
Ø  Rewards weaken interest
The more rewards we use the more we may need to use them. If we stop giving rewards for an activity / for good behavior, the children often lose interest / stop the good behavior, and when we are not there the children may be less likely to be motivated to do the activity by themselves or behave well.
Ø  Rewards weaken active learning
When children are given rewards for doing some work, their focus is narrower. They are less likely to remember peripheral things that are not directly connected with the reward. Their view may become narrower and their approach to learning become less active.
Ø  Rewards are divisive
If some children get rewards and others do not, the “successful” students may become more successful and the students who fail, may fail even more. The result can be very divisive.

Management Guidelines
     Even though managing a classroom is a difficult thing, you must perform well in order to teach effectively. Sometimes, experience is the best teacher when it comes to learning to manage a classroom. The following are teacher-tested suggestions for managing a classroom and preventing behavior problem.
  1. Begin class on time
  2. Set up procedures for beginning your class. You should have a set routine / activity that automatically occupies the first four or five minutes of class.
  3. Set up procedures for dismissing class. Require that all students be in their seats and quiet before they are dismissed.
  4. Keep desks and storage areas clean.
  5. Stop misbehavior immediately.
  6. Make transitions between activities quick and orderly.
  7. Direct your talk to the class, not to the whiteboard. Make eye contact with your students when you are talking.
  8. Be polite to students and reinforce their politeness.
  9. Be firm and consistent. If a rule is broken, warn students only once, then follow through the consequences.
  10. Don’t threaten. Don’t make threats, you should make promises.
  11. Be with-it. Move around the room and know what is going on in all areas.
  12. Use nonverbal signals. The use of nonverbal signals and body language is one of the best ways to prevent discipline problems.
  13. Be helpful. Support students’ best behavior and help them in developing their own self-discipline.
  14. Use corporal punishment only as a last resort.
  15. Plan well. You should enter your classroom every day with well-planned lessons.
  16. Use verbal reprimands with care.
  17. Always set a good example. Remember that you are a model for classroom behavior.    

Parents as School Disciplinarians
            No doubt, all parents want their children to be successful in their endeavors. Parents want their children to learn and be accepted by their peers and teachers. The key to gaining parental support in your undertakings is to learn to take criticism seriously without taking it personally. You should consider criticism taker personally as a warning signal that you might be assuming too much responsibility. It is important to guide families into understanding your role as a provider of a professional service, and also to use your professionalism to establish co-partnerships with parents.

Parents as Co-Partners
            When parents are perceived as friends and co-partners in the education of their children, discipline efforts can be maximized. When enlisting parents for support in discipline endeavors always follow a well-planned conference schedule. Establish a positive, team-like atmosphere between yourself and parents. Remember, you are as co-partners in this time! Maintain your professionalism without sacrificing the warmness and compassion that should be felt toward students. Helping parents assume responsibilities as co-partners benefits the student because it gives the student a perception of parents who are modeling the importance of education to the family.
Through parent involvement of this type you are able to set reasonable standards for working parents to be involved in the education of their children. This will help to foster the co-partnerships needed between parents and teachers. It is a rewarding experience when teachers and parents pool their abilities and resources to bring about positive student change. Even though it will require some time to plan appropriate ways to involve parents, the time will be worthwhile.       

6 Predicates, Arguments and Thematic Roles



In this chapter we will be concerned with an area of grammar where syntax
interacts with semantics.
6.1 Predicates and Arguments
Up to now, we have described each sentence of English in two separate
ways: functionally and formally. Consider (1) below:
(1) The crocodile devoured a doughnut.
This sentence consists of a Subject (the crocodile), a Predicator (devoured )
and a Direct Object (a doughnut). Both the Subject and Direct Object are
realised by Noun Phrases, whereas the Predicator is realised by a verb.
Let us now consider (1) from a different angle. Notice that the verb devour
cannot form a sentence on its own: it requires the presence of other elements
to form a meaningful proposition. As will be clear from (2) and (3) below,
devour requires that it be specified who was engaged in the act of devouring
something, and what it was that was being devoured.
(2) *Devoured a doughnut.
(3) *The crocodile devoured.
In (2) there is no Subject, whereas (3) lacks a Direct Object. Both situations
lead to ungrammaticality. We will refer to elements that require the
specification of the participants in the proposition expressed as predicates
(e.g. devour), and we will refer to the participants themselves as arguments
(the crocodile, a doughnut).
Below you will find some further examples of sentences containing
argument-taking predicates. Each time the predicates are in bold type and the arguments are in italics.
(4) Henry smiled.
(5) The police investigated the allegation.
(6) Sara gave [Pete] [a parcel ].
(7) Melany bet [Brian] [a pound] [that he would lose the game of squash].
Sentence (4) is a predicate that takes only one argument. We will call such
predicates one-place predicates (or monadic predicates). (5) is like (1) above:



JAPAN FOLKLORE

SOURCE : http://japanfolklore.blogspot.com/2008/08/kaguya-hime.html


Long, long ago in Japan, there lived a poor woodsman. One day, he was cutting bamboo in a grove when he came upon one stalk of bamboo glowing a bright, golden color. Finding this mysterious, he approached it for a closer look.

 
To his amazement, inside the bamboo was an adorable, tiny little girl. Since the old man and his wife had no children of their own, he decided to bring the child home with him, where he and his wife raised her with love and care. They decided to name her Kaguya Hime. From that time forward, whenever the woodsman went back to work in the grove, gold coins would come pouring out from the bamboo he cut. As a result, the old couple became wealthy. 


Amazingly, within just three months Kaguya Hime grew into a beautiful maiden. Her beauty soon became known throughout the country, and one young man after another came forth to ask her hand in marriage. Kaguya Hime refused all of her suitors, but there were five insistent young noblemen who refused to give up. In order to dissuade them, Kaguya Hime asked for a gift from each, and promised to marry the first one to bring her the gift she had requested. But these items were not things that could be found anywhere on this earth, and so the five young noblemen soon lost heart and gave up.

In the meantime the Emperor, who had heard of Kaguya Hime's beauty, also began courting the girl to become his wife and Empress. He too was refused. When the Emperor tried to force Kaguya Hime to come to the palace, she disappeared right before his eyes. The Emperor then realized that there was something unusual about Kaguya Hime, and so he too gave up.

 Three years passed and Kaguya Hime became even more beautiful. Then, one spring, Kaguya Hime began to grow melancholy on moonlit nights. She would stare at the moon with tears streaming down her face. The old woodsman, worried, asked what was wrong. Gazing up at the sky, Kaguya Hime replied, "Actually, I come from the moon. I was sent to live on the earth by my King, but now I have been told that I must go home. I will miss everyone here on earth, and that is why I am sad."
 
The old man was shocked, and not wanting to let his beloved daughter go, consulted with the Emperor to devise a plan. On the night of the full moon, the Emperor's guards hid Kaguya Hime deep inside the woodsman's house and surrounded it. Suddenly, the night sky became bright. Messengers from the moon dressed in brilliant clothes came down from the sky and descended to the earth on a cloud. At this sight, the guards become petrified and lost their courage. The messengers placed Kaguya Hime onto a palanquin and dressed her in a feathered robe. Leaving the heartbroken old couple behind, Kaguya Hime took off to the moon.

Jumat, 14 Juni 2013

A Balinese Folktale: Cupak and Grantang

SOURCE : http://blog.baliwww.com/tale/707

Once upon a time in Bali, there were two brothers Cupak and Grantang. These two brothers are completely opposite. Cupak was the older brother, he was lazy, boastful, gluttonous, and cowardly. While Grantang was gentle, refined, fair and wise, humble in speech but fierce in battle.
One day, Cupak played a trick on Grantang and the result was, that their parents turn against Grantang accusing him of being a very lazy son, and they drive him from their home. Grantang was forced to wander in the wilderness, but Cupak sorrowfully followed him. Cupak however traveled without any burden, while Grantang carried all the provision. Moreover, Cupak was the one who eat most. All through their travels, Grantang was the one who must do all the heavy work. Finally, they arrive at the palace of Daha, where the king asked them to recover his daughter and promised that the one who successful could marry the princess. Cupak boastfully promised to kill the giant, while Grantang said humbly that he would also try.

They then set off in search of the giant Limandaru, once again Grantang bear all the burden. When they finally found the huge footprints of the giant, Cupak was afraid. When they encounter the giant, Grantang did all the fighting and finally killed the giant, while Cupak was hiding himself behind a tree. The princess felt in love with Grantang, but that night while they were sleeping in the forest with Cupak on guard, another giant carried the princess off to his home at the bottom of a deep well. Cupak was of course too coward to defend the princess and thought only of himself when Grantang set out in pursuit of the demon. It was Grantang who descent to the well and rescued the princess once more, by killing the giant. Grantang sent the princess out of the well to Cupak but before he can climb again, Cupak cut the rope, leaving Grantang to perish in the well. Cupak returned triumphantly with the princess to Daha. Cupak was betrothed to the princess. But this not prevented him from still pursuing other young girls.
Grantang meanwhile had gathered the bones of the giant and managed to make a ladder out of them and get out of the well. Starvation made Grantang very thin and people who met him believed he was an evil spirit. When he arrived at the palace, Cupak refused to acknowledge him and he was beaten and thrown into the sea. Fortunately, Grantang was found by a fisherman, to whom he brought a good fortune in the catch, and the fisherman looked after him. After a few years stay with the benevolent fisherman, Grantang regained his strength and one day he met the princess again, who managed to put off her wedding to Cupak. The princess the persuades her father to allow her to marry the most skillful warrior. She provided Grantang with magnificent clothes and weapons and he did battle with Cupak, he was off course, the winner and got the princess as his bride.

LESSON ACTION PLAN



School              : SMAN 21 Bangli                           
Subject                         : English
Class / Semester           : X / I   
Skill                              : Reading 

  1. Standard Competence :
12. Expressing meaning in functional written texts and simple short essays in the form of narrative text which is related to the students’ surroundings.
  1. Basic Competence :
12.2 Expressing meaning and rhetorical steps in simple short essays in the form of narrative text accurately, fluently and acceptable which is related to the students’ surroundings.
  1. Indicator :
Ø  Identifying generic structure of narrative paragraph (orientation, complication, resolution)
Ø  Answering the questions about narrative text.
Student’s character that is expected :    
                                                                        Respect
Trustworthiness
                                                                        Diligence
                                                                        Responsibility
                                                                        Courage
                                   
  1. Learning Objectives :  
  1. When the students are given a chance to read a narrative paragraph, they are able to identify the generic structure of the paragraph based on the theory which has already been studied.
  2. When the students read a narrative text, they will able to answer the questions about narrative text.


  1. Time Allotment : 2 x 45 minutes
  2. Learning Material :
    1. Definition of  Narrative Paragraph
Narrative paragraph is paragraph which amuse, entertain and to deal with actual or vicarious experiences in different ways; narratives deal with problematic events which lead to a crisis or turning point of some kind, which in turn finds a resolution.

    1. Generic Structure
Narrative paragraph is intended to entertain listeners or readers with a true experience or an imaginary one.
Writing narrative paragraph, generally, you have to consider the following generic structure :

a.       Orientation
Orientation is the beginning of the story where the author introduces the setting, characters, and other important information the readers needs to know.
b.      Complication
Complication is a literary term is that it is a series of problems or difficulties that make up the main action of a piece of literature. Where the problems in the story developed.

c.       Resolution
Resolution is the final outcome of the events of the story. In resolution, there is final confrontation between the protagonist and antagonist where one or other decisively wins.  Where the problems in the story is solved, for better or for worse.





  1. Method of Learning : Think-Pair-Share

  1. Learning Activities :

Pre-Activities (+- 10 minutes)
Time
V
X
1. Greeting the students
2. Checking the students’ attendance
3. Motivating the students and describing the material which are going to be discussed generally
4. Stating the learning objectives to be achieved and the importance of studying narrative paragraph
1’
2’
4’

3’


Whilst-Activities (+- 70 minutes)



Exploration
5. Proposing some elicited questions on what they have known about narrative text

Elaboration
6. Inviting the students to read the narrative text entitled ‘Cinderella’ and identify the generic structure of the narrative text (before explaining the theory)
7. Explaining about narrative text systematically from the definition and the generic structure
8. Presenting a paragraph entitled ‘Three Games for Gold (Students Worksheet / SW 1) and asking the students to think the generic structure and answer the questions based on the text (Think)  
9. Asking the students to work in pair (Pair)
10. Asking the pair to share their answers with other students in the classroom (Sharing)    




Confirmation 
11. Opening question and answer session or asking the students difficulty
12. Giving positive feedback and reinforcement orally or by using gestures for the students’ success

4’



5’


25’




25’








9’

2’ 


Post-Activities (+- 10 minutes)



13. Summarizing the material which has already been discussed
14. Assigning homework, that is, identifying the generic structure and answer the questions  a narrative text entitled ‘Malin Kundang’    
5’

5’





  1. References :
    1. English in Focus for Grade X Senior High School (SMA/MTs)
    2. Prepared-material in the form of Power Point
    3. Writing Hand Out ( This Hand Out is given a week or three days before that material will be explained, in order to make students have views about that material and in the process of learning, the material can be presented more efficiently ) and short text entitled ‘Cinderella’.
    4. Students’ worksheet.

  1. Assessment :
a. Technique           : written test.
b. Form                  : Identifying the Generic Structure about  Narrative Text and Short-Answer
c. Instrument           : See Table of Specification of Assessment Sheet